robert-murray-9-WVTrFrlWI-unsplash (1)

Vermilion Cliffs

Colors baked into a layer cake of rock. A hot and dry May in Arizona. We cannot drink enough water. Whiskey at night: our mouths like tiny deserts in the morning. Relentless sun on dirt, on sand, on what’s left of a river. We haven’t talked about it. The other woman you’re seeing. Young and brunette. A woman who hasn’t seen the contours of these cliffs, who hasn’t stuck her body in the body of a bottle. A small useless thing trapped by glass, trapped by the booze that soothes me. I don’t know how to tell you I’m finished. I run my hand over a sharp, hot rock. These cliffs make me think of the Dead Sea: the mud in stripes of minerals. You’ve never been to the Middle East. There are some things I don’t expect you to understand. The way I remember the salt-strewn shore. Walking out into the gray water. Sky gray, water gray. Skin coated in gray mud. Something about the desert that throws everything raw and clear. A long, stark horizon. The question of survival on the tip of the tongue. Sand grit between the teeth. No place to hide or piss. This is a sanctuary. But then there’s you trudging ahead of me: slender waist, well-built back, baseball cap forward and for the sun. I don’t want to follow you anymore.

Allison Field Bell is originally from northern California but has spent most of her adult life in the desert. She is currently pursuing her PhD in Prose at the University of Utah, and she has an MFA in Fiction from New Mexico State University. Her prose appears in SmokeLong Quarterly, The Gettysburg Review, Shenandoah, New Orleans Review, West Branch, Epiphany, Alaska Quarterly Review, The Pinch, and elsewhere. Her poems appear or are forthcoming in The Cincinnati Review, Superstition Review, Palette Poetry, RHINO Poetry, The Greensboro Review, Nimrod International Journal, and elsewhere. Find her at allisonfieldbell.com.

Submit Your Stories

Always free. Always open. Professional rates.