Self-Solemnization
Yung-Su brings a live dove, a Eurasian Collared with dust-brown wings and a black nape, holding it in both of his hands like a carton of eggs. Beats the hell out of Ever’s “With Deepest Sympathy” card and my bouquet of stargazer lilies, stained pale pink inside, mouth-like. “Funeral?” says the gentleman at the pupusa stand, reluctant to charge us for our horchatas.
“Wedding,” Ever corrects and pays in dull quarters. I’ve netted my watering eyes with a birdcage veil, have to lift it to sip. Kiko, my bride and our officiant, catches me with a soft, milky kiss. The four of us sit down on the curb with our legs outstretched and crossed at the ankles, all of us in gowns and sneakers, and when Yung-Su releases the dove, it carries too high against the sun so that we have to wince to watch it recede.
Marilyn Hope is a queer Korean-American writer and visual artist who studied English literature at the University of Denver, where she was a recipient of an Academy of American Poets Prize. She received the first place award in CRAFT’s Short Fiction contest in 2019, and in 2021, she was the winner of CRAFT’s Editors’ Choice Award for Creative Nonfiction. Her work has appeared in X-R-A-Y, Fractured Literary, and Reflex Fiction.
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