wesley-tingey-snNHKZ-mGfE-unsplash (1) (1)

At the Clown’s Birthday Party

After cake and ice cream, the guests, in their painted smiles and polka dot attire, settle in to watch the man they’ve hired to entertain them.  An actuary analyst!  So much better, already, than last year’s accountant or the year-before-that’s linguistics scholar.  In his narrow dark tie and shirt sleeves, he opens his briefcase of tricks, produces an over-large ledger sheet and pencil, and, while the clowns watch open-mouthed, calculates a number of profitable, competitive insurance premium levels while determining the amount of cash reserves needed to assure payment of benefits and then— before they can even catch their breath—withdraws a dozen manila envelopes and reviews employee claims activity to see if premiums are adequate to cover losses.  Hurrah!  They laugh when he extracts a large seltzer bottle, lifts it high, and uses it to water down his scotch because he explains, Jill thinks he is drinking a little too much lately, though he can quit anytime he wants, and with a flourish, he sets up a cardboard bar and sits at it and lights a cigarette and runs his hands through his hair, opens his wallet to a picture of Jill, who (surprise!) left him last week, the kids, still in their braces, and while his magic In-Box slowly fills itself and after he breaks five pencils with one hand, out come the skinny balloons which he deftly twists into a variety of shapes, including the 5-alpha reductase enzyme that is causing both his baldness and that little twinge in his prostate, and the Q-shaped ucler growing in his duodenum.  He leaves one balloon uninflated but won’t talk about it.  The clowns are not, he tells them, his fucking therapist, and he never liked them anyway.  The clowns cheer and laugh; this is so much better than anything, despite the bite of pathos they feel as the man cries now, sobbing into his open palms, and the clowns all know, know in their hearts, that this funny, sad man is really laughing on the inside. 

***Originally published in Hotel Amerika.

Brad Barkley, a native of North Carolina, is the author of the novel Money, Love (Norton), a Barnes and Noble “Discover Great New Writers” selection and a “BookSense 76” choice. Money, Love was named one of the best books of 2000 by the Washington Post and the Library Journal. Brad was named one of the “Breakthrough Writers You Need To Know” by Book Magazine. His novel Alison’s Automotive Repair Manual (St. Martin’s) was also a “BookSense 76” selection. He has published two collections of short stories, Circle View (SMU Press) and Another Perfect Catastrophe (St. Martin’s). His short fiction has appeared in nearly 40 magazines, including Southern Review, Georgia Review, the Oxford American, Glimmer Train, Book Magazine, and the Virginia Quarterly Review, which twice awarded him the Emily Balch Prize for Best Fiction. His work was anthologized in New Stories from the South: The Year’s Best, 2002. His first YA novel, Scrambled Eggs At Midnight, was published by Penguin/Dutton and was a summer 2006 “Booksense 76” choice. His second YA novel, Dream Factory, published in the spring of 2007, was also a “BookSense 76” selection, a Library Guild “Book of the Month” pick, and was voted the Texas Institute of Arts and Letters “Best Young Adult Book” for 2007. Jars of Glass was published by Penguin/Dutton in 2009. Brad has won four Individual Artist Awards from the Maryland State Arts Council and a Creative Writing Fellowship from the National Endowment for the Arts. His latest novel, The Reel Life of Zara Kegg, is forthcoming from Regal House. He lives with his wife, Kristin, in Western Maryland.

Submit Your Stories

Always free. Always open. Professional rates.