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Like Soap

Like Soap

When we were fourteen, Tessa, Gina, and I used to laugh at Mrs. Meade, our history teacher, who always came to class like she had dressed in a rush, her hair always boringly tied, her wedding finger always covered in soap, stuck to her wedding band and we wondered how come she didn’t know the trick we knew, of removing the rings when washing our hands, which we did every time with our enamel, and wood, and silver-plated rings – only Gina having a gold ring among us, a present from her Grandma – and we told Mrs. Meade about the soap and the ring, one day, giggling all the while, and she said Hahaha and Aren’t you funny, and Why don’t we talk about it when you also have four children to look after at home and then twenty, forty, sixty more children to look after at work, and Yes, I mean you too, and then, when Tessa got pregnant, twelve months later, we thought Mrs. Meade would go and check her rings for soap too, but Tessa had no wedding band, and when Mrs. Meade went to visit her, in the evenings, it was not to laugh at her, but to help her out with the baby, and her history classes because she said that no matter what, she couldn’t let life slip out of her hands. Like soap.

I Told Them I’m a Vampire Who Likes To Drink Blood

I Told Them I’m a Vampire Who Likes To Drink Blood

I wished it on my 16th birthday candles. The school counselor said to believe in myself, so I did. It turned out the junior class at Bellingham High had been waiting for a teenage vampire.

First they stopped sitting with me at lunch. Jesse from homeroom said they didn’t want to watch me drink blood. I had to keep it credible, so I left my tray untouched, even though mac-n-cheese is my favorite. My calculus teacher said I looked a little pale that afternoon.

I used it as an excuse to skip P.E. “I’m just really drained today,” I told Coach Martin. “I should probably get out of the sun.” I moved to the shadiest tree and pretended to perch like a bat in its shadows. 

Mrs. Miller must have heard the kids talking about it on the school bus because when I stepped off, she said with a smirk: “It’s spooky I can’t see you in the rearview mirror.” The twins from the cul-de-sac gave me a look, and just for effect, I swigged some fruit punch Kool Aid from my Nalgene.

I felt like I was practically floating down the sidewalk. By the time I got home, my mother rolled her eyes, holding the door with one arm, pointing to the couch with the other. “Jesse’s mom called. I can’t believe you sometimes.”

I slouched off my backpack, kicked back in the Lazy Boy, and smiled. “It turns out this self-confidence thing really works, Mom.”

Scars and Time

Scars and Time

She has a small scar behind her left earlobe and I wonder if she knows that I’m aware of it. I’ve always wondered how it became to be and I used to make up stories in my head. Stories involving nipping puppies, or a renegade fishing pole cast when she was 13. Then came college and being on and off again and separated by an ocean. Then the marriage and children and parental responsibilities and less and less time for ourselves. There was no time to talk, no time to think about the scar. There was no time anymore. Then there was the separation, but I still had hope until I was handed the bundle of paperwork one day at my door. I nearly dropped my drink.  All these years, memories, placed into legally formatted documents with spots for my signature. Now I have nothing but time to think, nothing but time for another person. I’m sitting here at my kitchen table wondering if her next lover will notice the small scar behind her left earlobe. I fear they might. I fear they may ask what it is from. I fear that she may tell them.

fast flash challenge

fast flash challenge

fast flash challenge

 

judged by fractured lit editors

Round B Closes on December 1, 2022

submit

This challenge is going to be a bit different: we’ll have two Rounds, and you can submit to both.

 

Each round will have it’s own prompt, and after both are complete, we’ll select the top 20 writers from each to enter the Finals (no additional fee). In the Finals, you’ll receive a brand new prompt and have another two weeks to write your best new story.

It is not required to submit to both Rounds! Once you’ve submitted to Round A, you’ll have the same chances as anyone who submits to Round B. Each will have their own reading fee as well, and you are welcome to submit to both to double your chances to earn a spot in the Finals.

We’re excited to offer the winner of this prize $2000 and publication of both stories, while the 2nd and 3rd place winners will receive $300 and $200 each and publication of their stories. All entries will be considered for publication. The winning stories will be chosen from the final round.

 

For this challenge, we want stories based on the theme of “Hauntings”. We want writers to tell us stories of characters who can’t let go, who reach into the depths of themselves and the world around them. Show us metaphorical ghosts and illusions, show us desires gone wrong, relationships splintered but never forgotten. Consider new ways of putting your characters into situations where they fight with the past, where secrets are revealed, and hearts are turned cold. The stories don’t have to include ghosts or the word haunting!

 

  1. You write some micro stories! 300 words or fewer for each story, and make sure it utilizes the prompt above. Every submission should be written and original within this 2 week window.
  2. You send us your stories! Each submission into the challenge of 3 stories or less has a $20 reading fee. Make sure to put all the stories into a single document. Double-space your submission and use Times New Roman 12 pt font, in English only please. Every story will be considered for publication in our regular issue as well.
  3. In January, the Finals Round begins! We’ll announce 40 finalists and will give them a new unique prompt and a new 2 week window to submit 3 more 300 word stories. (No new fee required.)
  4. In February 2023, we’ll announce the resulting winners from the new stories! $2,000 to the winner with the best 300 word story, and $300 and $200 to second and third place, and all three will have their selected stories published on Fractured Lit.

 

Using the prompt above please remember that we’re searching for flash that investigates the mysteries of being human, the sorrow, and the joy of connecting to the diverse population around us. We want something new. Something that scares as much as it resonates; stories that help us discover the roots of desire and conflict, that shimmer on the page, that keep us reading, and wondering long after the last period on the page. Transport us from the here and now to a new land of discovery, a new way of being terrified, a new way of embracing all of the ways we show our humanness. Fractured Lit is a flash fiction-centered place for all writers of any background and experience.

 

Best,

Tommy and the Fractured Team

guidelines

      • Your $20 reading fee allows up to three stories of 300 words or fewer each per entry-if submitting three stories, please put them both in a SINGLE document
      • We allow multiple submissions-each set of three flash stories should have a separate submission accompanied by a reading fee
      • Flash/Micro Fiction only-300 word count maximum
      • Simultaneous submissions are okay-please notify us and withdraw your entry if you find another home for your writing
      • All entries will also be considered for publication in Fractured Lit
      • Double-space your submission and use Times New Roman 12 pt font
      • Please include a brief cover letter with your publication history (if applicable)
      • We only read work in English
      • We do not read blind.
      • Some Submittable hot tips: – Please be sure to whitelist/add to contacts so notifications do not get filtered as spam/junk: notifications@email.submittable.com– If you realize you sent the wrong version of your piece: it happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a non-refundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
submit
Hardwood Nights

Hardwood Nights

Her first love stands in the doorway, a lanky licorice stick of a boy, all words and high tops, sweet and chewy, palms touching the door frame. Insomnia carries him to her, a sleepless offering for bare feet pacing a hardwood floor. If she lingers too long in this doorway, she fears she may vanish like rub my thigh and make a wish.

While awake in the dark, memory performs, so she says no to the orange pill her Magus doctor of a husband promises abracadabra delivers sleep. She prefers to feel the hardened sweet pea of memory beneath her mattress. She prefers to wander the hardwood night draped in gauze with a kernel trapped in her back teeth, wedged too deep to extract. Wedged in that tight spot between crags where spaghetti-strapped nymphs exposing crescent breast moons catch their salty breath. When she yawns, so do these girls, her students in the daylight hours, greedy fledglings in the nest, beaks open, begging.

Dropping the orange pill into the toilet, she sees her reflection in the torrent of the flush. Some nights she considers waking the Magus doctor husband. But instead she follows the licorice path to the backyard flower beds and lies down eyes closed, barking back at the neighborhood dogs, barking so quietly that she cannot hear the rainfall. Abracadabra, she opens her eyes to the Magus standing over her opening his umbrella.

Monsters, Mystery, & Mayhem Contest Winners & Shortlisted writers

Monsters, Mystery, & Mayhem Contest Winners & Shortlisted writers

1st: Place: At the Bottom of the Well is a Home by Laur Freymiller

2nd Place: My Brother, Named and Unnamed by Steven Sherrill 

3rd Place: Hair, Teeth by Josiah Nelson

Shortlisted Titles and Writers

A Modern Fairytale by Amy Wang 

Double the Fun by Ryder Collins

Monster Diary by Pedro Ponce

Bottom of the Food Chain by Kristina Saccone

a woman, the mother, the bird by Michelle Templeton

Omigaa by Chip Houser

Escapologist by Susan Wigmore

Breathing Room by KC Mead-Brewer

Flesh and Blood by Ellee Achten

Tribute by Timothy Boudreau

Selkie Wife by Roo Hocking

Hypnos and the Mother by Lyndsie Manusos

Princess Pea of Sangankallu by Rosaleen Lynch

Blood Honey by Shannon Ratliff

A Love Story by Jen Knox

You Ain’t Heard of the Buffalo Man by Jacob Martinez 

Vampires in the Basement by Adam Hunter

Little Worlds

Little Worlds

Sara’s building tiny huts made of mud that she hollows out with her thumbs and then covers with sticks from the wood chip pile at the edge of the playground. She’s trying to create the village like the one she’s seen in pictures from the National Geographic that rests on the coffee table in her living room.

Jason is squatting next to Sara, helping, which means doing nothing but telling her the village looks great.  Now and then, he glances over at the boys playing king of the hill on the chip pile, wishing they’d let him join, then he looks back at the huts and thinks how it must feel inside them, dark and quiet, like his room at home.

Arnie stands on top of the chip pile, beats his chest, and roars like a lion, for no one appears to be able to knock him over without getting knocked over himself.  He thinks of himself like his father, a police officer, looking over the playground, keeping everything in order.

While Jackie, the only girl on the pile, pushes her way up the hill, undeterred when the other boys gang up on her, as though the pile of chips is theirs alone to fight for. She looks at Arnie and thinks of her father, who is always correcting her, always telling her no, then calculates her move, how if she grabs Arnie’s ankles and pulls just right, he’ll tumble down and she will rise up.

Sugar Baby

Sugar Baby

When Danny turned six, his mouth rotted and a host of flies swarmed his lips. They laid their ugly eggs beneath his tongue and zipped right through the holes in his gums. Nana washed his mouth out with Listerine and soap, scolding him for not being more careful. For not acting his age. For not growing up.

But back then, when autumn fell like Danny’s baby teeth into Nana’s unsuspecting palm, she cradled the little spotted things and planted them in a flowerpot. She placed it in the window above the kitchen sink and tended to it incessantly, sprinkling water from the tap with her fingers, raking the dirt tenderly with Danny’s old plastic comb. It was the same one she once used to tug all that soft hair back from his face into a silly little tail atop his head.

In the morning, Nana came down the stairs to find Danny pointing at the pot. I watched his tongue probe the new gaps in his mouth as Nana stopped before the kitchen sink. She pressed a hand to her lips, beckoning to Danny, as they watched the frailest tendril curl right up from the base of the pot, reaching towards the ceiling, not unlike a silly little tail that’ll eventually get cut.

fractured lit reprint prize

fractured lit reprint prize

fractured lit reprint prize

judged by Meg Pokrass

CLOSED July 17, 2022

submit

We invite writers to submit to the Fractured Lit Reprint Prize from May 15 to July 17, 2022. Guest judge Meg Pokrass will choose three prize winners from a shortlist. We’re excited to offer the winner of this prize $3000 and publication, while the 2nd and 3rd place winners will receive publication and $300 and $200, respectively. All entries will be considered for publication.

Meg Pokrass is the author of 8 flash fiction collections and 2 flash novellas, including The House of Grana Padano (co-written with Jeff Friedman, Pelekinesis 2022), Spinning to Mars (Blue Light Book Award, 2021) and The Dog Looks Happy Upside Down (Etruscan Press, 2016). Her work has appeared in over 1,000 literary journals including Electric Literature, American Journal of Poetry, Washington Square Review, McSweeney’s, Laurel Review, Waxwing, Craft, Smokelong, Split Lip, Plume, Five Points, and has been anthologized in 3 Norton anthologies of the flash fiction form: Flash Fiction International (W.W. Norton, 2015), New Micro: Exceptionally Short Fiction (W.W. Norton, 2018), and the forthcoming Flash Fiction America (W. W. Norton & Co., 2023). Meg’s flash fiction has been widely internationally anthologized, appearing in The Best Small Fictions 2018, 2019, and 2022, Wigleaf Top 50, and the forthcoming Alcatraz: An International Anthology of the Short Form (Gazebo Books). Meg is the Managing Co-Editor and Founding Editor of Best Microfiction, Founding Editor of New Flash Fiction Review, and Co-Founder of the Flash Fiction Collective Reading Series (San Francisco). She lives in Inverness Scotland with her dog and cat, and wears too many hats. Find out more here: http://www.megpokrass.com

We want to celebrate the micro and flash that may have gotten lost in the shuffle, or stuck in the limbo of shuttered literary magazines! We know that excellent and exciting flash and micro fiction is published every day, but no one can keep up with all of these stories. This contest is a platform for these stories to reach new readers, and to live on in excellence on our website. We want to bring light to those lost pieces of flash and micro fiction-the stories that you love but feel are no longer receiving the attention or recognition they deserve.

 

guidelines

      • Your $20 reading fee allows up to two stories of 1,000 words or fewer each per entry-if submitting two stories, please put them both in a SINGLE document
      • We allow multiple submissions-each set of two flash stories should have a separate submission accompanied by a reading fee
      • Flash/Micro Fiction only-1,000 word count maximum
      • The stories must have been previously published online or in print to be eligible
      • The stories must not have won any previous awards of $500 or more
      • DO NOT INCLUDE the publication history of the individual stories in the document. Include this information in your cover letter only
      • DO NOT INCLUDE your name or identifying information in the document
      • Simultaneous submissions are okay-please notify us and withdraw your entry if you find another home for your writing
      • All entries will also be considered for publication in Fractured Lit
      • Double-space your submission and use Times New Roman 12 pt font
      • Please include a brief cover letter with your publication history (if applicable)
      • We only read work in English
      • We do not read blind. Shortlisted flash will be given to the judge anonymously
      • The deadline for entry is July 17, 2022. We will announce the shortlist within 10-12 weeks of the contest’s close. All writers will be notified when the results are in.
      • Some Submittable hot tips: – Please be sure to whitelist/add to contacts so notifications do not get filtered as spam/junk: notifications@email.submittable.com– If you realize you sent the wrong version of your piece: it happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a non-refundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
submit
How to Embed your Legacy

How to Embed your Legacy

Take one pair of lightly-arched, freshly-manicured feet, slip off your mother’s gold-edged chappals that always chafed, and plant them firmly in the soft Mangalorean soil of your exacting grandfather’s garden

Rub at your slightly turned-in ankles, that resemble your father’s, and recount the memory of how your perfectionist Nana massaged them with intent and warmed olive oil when you were newly born and mouldable

Feel the sharp lines of your sturdy calves, so similar to your hockey-playing disapproving Uncle Lazrado, and keep them as tensed as the robust badam trees

Ignore the pulsing pain in your Auntie-Felcy-like dimpled knees, and wait for the rush of belonging from this ancestral earth

Erase the echoes of recalled laughter at the waddle of your fleshy thighs the first time you visited from London and wore your favourite Minnie Mouse printed raspberry-coloured shorts, and enjoy the sensation of hundreds of years of blood and perspiration flooding into your veins

Relish in the destroying tides of incoming birthright as they replace the otherness coiled in the craters of your stomach

Revel as your broad shoulders, that favour your indifferent Cousin Mingel, release the oppressive weight of imposterhood and collected hurts

Savour the taste of dirt and sweat overwhelming your too-square chin, and your tip-tilted nose, so unlike anyone’s else’s, as all your cells take root in this space where you were discounted and overlooked and envisage the decades of frustrated fury as it’s established you’re part of this legacy now and can never be removed