by Richie Zaborowske | Apr 25, 2024 | flash fiction
For two years now, Leonard’s wife hasn’t wanted to have sex with him. He figures it might have to do with her mother passing, or maybe it’s because both their kids are in college and the house is empty. Maybe it’s biological. He has no idea. Hell, for all he knows, it could be the cat puke. Their tabby bolts her food nearly every morning, and even though Leonard tries to find the mess before his wife has to deal with it, maybe cleaning up all that chunky, mucous, slop, has finally killed off her libido. He’s not sure, and he doesn’t blame her. If anything, he blames himself. He feels culpable in a way he doesn’t understand.
To find answers, he’s read a stack of vintage Cosmo magazines that he bought at Goodwill and a shelf worth of relationship books from the library. On his phone, he cruises Reddit’s Dead Bedroom forum and tunnels through the wormhole of YouTube. There are also chat rooms. Spread out across the country are others just like him. Leonard commiserates, he swaps tales, offers what little guidance he can. He also gets invited. There are meetups. Men and women looking to comfort each other. To get from each other what they can’t get at home. There is a meeting tonight at the Texas Roadhouse just across town.
Leonard has resolved to attend. As a cover he’s told his wife that he’s joined a bowling league. Just a bunch of guys from work. Drinking beer and throwing strikes. Don’t wait up. After showering and slapping on too much aftershave, he unzips his bowling ball bag to double-check that the box of Trojans is still there. When he looks up, he sees his reflection in the bedroom mirror. He unbuttons the top button on his shirt, then realizes he looks like a creep. Hastily, with his thick fingers trembling, he buttons it back up, trying to ignore the fact that he now looks like a sleazy businessman on the prowl.
On his way out, he pauses at the patio door. Outside, wearing sweatpants and a shawl draped over her shoulders, his wife is on a wicker chair, lost in a well-worn paperback. Alright, dear, he says, trying to keep his voice even. I’m leaving, he says, just wanted to say goodnight.
You look nice, she says, putting down her book and standing. Before you go, I wanted to give you something.
You did?
You remember our honeymoon? she asks.
He does. She wore lingerie. Purchased from a boutique in Austria. A complexity of lace across her bosom, red fabric stretched taut across her backside. There were these clips that hung down and pulled up her stockings.
One moment, she says, walking past him into the house.
Would she really purchase lingerie? Anything was possible. Years ago, many years ago, on a frigid mid-February morning, she had visited his apartment unannounced. When he opened the door to the bracing cold, she was standing there on the stoop, wearing an oversized parka that went past her knees. Once inside, she unzipped the fur liner. To his surprise, she was naked underneath, her hands freezing but her body warm and welcoming.
When she comes back she’s traded the shawl for a hooded sweatshirt, the paperback for two bowls. She hands him one.
What’s this? He asks.
Gelato. Vanilla.
Gelato?
I saw it at the grocery store, a new brand, she says, sitting back down on the wicker chair. And I thought of you.
You thought of me?
Yes, she says. Remember Italy, our honeymoon? The vendor with his big booming voice? Every time we were near his cart, you had to stop and order a scoop of each flavor. You spent a small fortune.
Leonard doesn’t remember, and he holds his spoon awkwardly as if he’s never used an eating utensil before. The gelato sits in his dish, white, with specks of brown, a frozen lump that’s about as far away from sex as he can imagine.
Come on, she says, watching him, smiling at his bewilderment. You were wild about gelato.
Only one bite, he promises himself, stabbing the gelato with his spoon. The group isn’t going to stay at Texas Roadhouse all night. He didn’t splurge on the twenty-pack for nothing.
Tentatively, Leonard takes a lick. The gelato is denser than ice cream. The vanilla flavor bright and spicy, almost floral. More like the idea of vanilla than actual vanilla. The man, he remembers now, was named Giovanni. Giovanni’s Gelato. At dusk, parked on a cobblestone lane, surrounded by all those tall buildings stained Baralo red, Giovanni’s cart would be all lit up with votive candles sputtering away in little glass jars. Giovonni liked to tease Leonard. Said the reason Leonard was so hungry was because he was in love, and Leonard’s love was going to help Giovanni retire early, help him send his daughters off to college overseas.
Leonard remembers the joy he felt in the simple act of holding his wife’s hand, his new wife, as they strolled along the lanes and talked about everything and nothing, talked for the sake of talking. He remembers how each time they approached Givonni’s cart, the man would spread his arms wide in the fading light and roar, Thank God for Leonard’s love!
How could he ever forget, Leonard wonders to himself, scooping more and more gelato until his spoon is fruitlessly scraping the side of the bowl.
by Fractured Lit | Apr 22, 2024 | Uncategorized
anthology 3 publication celebration reading
Wednesday, May 29, 2024, at 4 p.m. PDT / 7 p.m. EDT on Zoom
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Join us in celebrating the publication of our third anthology of flash and microfiction. We were honored to work with Guest Judge Peter Orner on this project, and we want to share these stories with you at our first online reading event. Peter will also share some of his own work as our featured reader, followed by many of the amazing writers published in this collection.
The following writers will read their stories published in the anthology:
- Kati Fargo Ahern
- Reneé Bibby
- Brett Biebel
- Megan Callahan
- Christine H Chen
- Hillary Colton
- Elizabeth Conway
- DE Hardy
- KA Polzin
- Kim Steutermann Rogers
- Arthur Russell
- Robert Shapard
Featured Reader: Peter Orner
Peter Orner is the author of two novels, Love and Shame and Love and The Second Coming of Mavala Shikongo, and two story collections, Last Car Over the Sagamore Bridge and Esther Stories. His work has appeared in The New York Times, The Atlantic, The Paris Review, and The Best American Short Stories. A recipient of Guggenheim and Lannan Foundation Fellowships, as well as a Fulbright to Namibia, Orner has taught at the Iowa Writers’ Workshop, the University of Montana, Northwestern, and the Warren Wilson MFA Program for Writers. He is currently on the faculty of San Francisco State University and a member of the Bolinas Volunteer Fire Department.
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by Barbara Diggs | Apr 22, 2024 | micro
so I know you are eggs. Sunny side up, salmonella-scrambled, salsa-slathered, over-hard yellow-white discs fried in bacon grease until the edges curl like wispy brown lace. Your dad was the original egg man, eating five every day, insisting you ate at least three. One slurry night on somebody’s basement couch, you mumbled into my neck that you didn’t even like eggs, just learned to choke them down because it was easier and now you couldn’t stop. I pressed my hand to your chest and felt your heart cracking beneath my palm.
You are what you eat, so I know you are rage. You ate it by the forkful, along with your daily eggs. Your dad sprinkled it like salt all throughout your home; tiny bitter grains that amplified everything: spilled milk, burnt toast, untied shoelaces, lost hats, dead batteries in the remote, Chinese take-out that arrived cold, smart-ass delivery drivers who don’t deserve a fucking tip, gotdamn companies trying to rip him off. You ate so much rage that the taste was constant in your mouth, rising unbidden at the sight of a single burned pepperoni on pizza, a shattered egg spilling its guts on the floor.
You are what you eat, so I know you are my love. I baked it into lemon-poppy muffins, stirred it into chicken soup, slid it into the slow cooker along with pork chops and apples. I thought it could overpower any craving, salve your cracked heart. You consumed it with eyes closed, licked your fingers, but told me everything tasted sour. So I melted it in syrup and poured it over pancakes, infused it in fruit smoothies, tried candying it with roasted pecans. You slammed your fist on the table and asked why can’t I ever just make fucking eggs. I tried to fold it into an omelette but a spoonful of rage fell in instead. You gagged as you ate it; said it was the best thing I’d ever made.
by Fractured Lit | Apr 19, 2024 | contests
Fractured Lit Work/Play Challenge
Judged by Fractured Lit Editors
April 24 to May 5, 2024 (Now closed)
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The winner is The Breakfast Shift at the Usual New York Diner by Debra A. Daniel!
Challenge Prompt
For this challenge, we want stories based on the theme of “Work/Play.” If we get to know our characters in flash fiction through action, nothing quite reveals them more than their behavior when they’re at a particular job or when they’re at play. Each part of this dual theme could connote happy feelings or conversely, show the dark undersides of employment and leisure. Take us to the places your characters grudgingly go or sneak away to, the places where they try to hide their true natures, the places that make them feel free and hopeful, or the places in-between, where society encroaches. Both work and play have their own sense of rules, so show us what happens when these rules are broken, ignored, or enforced. We love characters who aren’t afraid to exhibit their desires and face their fears, who are willing to make mistakes, and who fail beautifully. Be imaginative and original in your choice of setting, in your invention of plot, and in the combination of these elements to create an exciting and resonant story.
GUIDELINES:
- Your $20 reading fee allows up to two stories of 1,000 words or fewer each per entry-if submitting two stories, please put them both in a SINGLE document.
- We allow multiple submissions-each set of two flash stories should be a separate submission accompanied by a reading fee.
- Please send flash fiction only-1,000 word count maximum per story.
- We only consider unpublished work for challenges-we do not review reprints, including self-published work (even on blogs and social media). Reprints will be automatically disqualified.
- Simultaneous submissions are okay-please notify us and withdraw your entry if you find another home for your writing.
- All entries will also be considered for general publication in Fractured Lit.
- Double-space your submission and use Times New Roman 12 (or larger if needed).
- Please include a brief cover letter with your publication history (if applicable).
- We only read work in English, though some code-switching/meshing is warmly welcomed.
- We do not read anonymous submissions.
- Unless specifically requested, we do not accept AI-generated work. For this challenge, AI-generated work will be automatically disqualified.
- The deadline for entry is May 05, 2024. We will announce the shortlist within ten to twelve weeks of the challenge’s close. All writers will be notified when the results are final.
Some Submittable Hot Tips:
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- If you realize you sent the wrong version of your piece: It happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a nonrefundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a two-page global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit. Should your story win, no feedback will be offered, and your fee will be refunded.
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by Kelly Ann Jacobson | Apr 18, 2024 | flash fiction
The third store we visit has been raided. The shelves are like rows of gapped teeth—missing flashlights, missing batteries, missing fans, missing gallon jugs of water. Our list is a prayer in your clasped hands. “What about candles?” you ask, and the nervous girl hanging lighters on the endcap takes us through the aisles to décor. “Not much left,” she says as she eyes the few colorful glass cylinders on the shelf. Is she reconsidering her own supply? Will she return here to scavenge the remains? I notice, then, that she has a bump of her own, but I know better than to ask. She retreats back to the lighters, and I watch, out of the corner of my eye, as she bends and hangs and slides.
“Pumpkin spice?” you say as you wave one of the candles under my nose. The smell is cinnamon, clove, and maple—but not pumpkin.
I turn back to you and shake my head. “Please don’t ruin pumpkin spice for me.”
“I forgot you’re an addict.” You clink the cylinder holder down and retrieve the pink one. “How about this?” Watermelon, oversweet, like the fruit has turned.
“Worse,” I say. My sense of smell has always been stronger than yours, but the extra estrogen in my body has turned me bloodhound. I point to the white ones, Clean Laundry. “Just buy two of those, and let’s get out of here.”
“Fine.” Your voice is angry, trying to be calm. You are probably thinking, Why did you bring me here?
I am thinking about it, too.
Of course, we never use those candles. Or the one jug of water we find in the cracker aisle at Walmart. Or the sanitary wipes. Or the black beans, baked beans, sliced carrots, peaches in 100% juice, saltines, minestrone soup, all still towered in the back of the cabinet like soldiers ready to deploy at a flicker of the lights. We never use any of them, because we are not there to watch the trees fall against our chain-link fence. Maybe we should go?, we vaguely ask our neighbor, a true Tallahassee man, and he says, with his calm voice and waiting-to-catch-a-fish gaze, I think that would be best. This is a man who slept through the last hurricane. This is a man who knows how to batten down the hatches with storm shutters and sandbags. He is our litmus test—If the locals are all staying, we tell ourselves, then who cares what the privileged students do?—but that morning, after he tells us what is best, we pack our bags and leave within the hour.
We are lucky we find an article about filling up our tank so we can use the car to charge our phones.
We are lucky we don’t have a good car, the kind that only takes premium-unleaded, and that we make it all the way to Troy, Alabama, without needing to stop at the gas stations, most of which are emptied like breast at the mouths of famished babes and left with plastic bags on the handles like the white flags of surrender. We are lucky, lucky, lucky to be those privileged students; or, rather, for me to be that student, and for you to be that privileged—and don’t I feel it, as you swipe your credit card at the desk and I put my hands on my belly and think, We’re safe now.
Originally published in An Inventory of Abandoned Things (Split/Lip Press).
by Ruth Joffre | Apr 15, 2024 | micro
I used to tell people that my first kiss was on a December night, under a pine tree, when a boy I sort-of liked kissed me after a dance recital; but actually my first kiss was older, and with a woman. In this memory, I’m twelve (it’s seventh grade), and I wake up one day to find the condo hushed, as if afraid to breathe too deep and set the hinges to sighing. I open my window to let the air lap the length of my legs. It rained overnight. I can smell it. I head to the bus early to enjoy it, the silence of the wet-blackened street and the fog clinging to the tires of the school bus. I feel as soft as a lick of shed fur, standing there, and then watching houses roll past. By the end of second period the moisture in the air has lulled me to sleep. It is the teacher who wakes me. Ms. Laura, I call her. She has one hand curved to my skull, her palm a constant heat seeping into my ears. She says, stay, eat lunch with me, then feeds me half a banana, hazelnuts, and a kind of candy—some strange, powdered things softening to the likeness of caramel and cream. She asks why I’m tired, why I’m hungry, and if I’ve eaten breakfast. I haven’t. There were ants in my cereal, I remember. I had to throw it out, box and all; then, when some ants lingered in the bowl, I had to hold it up to the faucet and watch as the water rose slowly, slowly to drown them.
I don’t remember if I tell her this, or anything. I am aware that the lights are off, the door open, the halls bright, but quiet, while all the other students are at lunch. The static lines of a tape rewinding fall between us, that section of the in-class movie revealing a boy’s throat opening and closing underwater. Maybe it’s a trick of the light when a dog resurrects onscreen and then again when Ms. Laura promises she will never hurt me, paint me in her chameleon colors with no more than the swift sure strokes of her voice. It’s mournful work, this deciphering of hues, with the sun a dapple on the soft kid of Ms. Laura’s boots and my right eye pressed to her shoulder until color begins unraveling on the lid: violet dots, a faint blue, millions of tiny stars winking, and a strange gold specter passing through. This is broken by the fingers smeared on my cheeks and the mouth tending to mine as to a bruise, then this is broken by a knock next door, and Ms. Laura pulls back and never tries to comfort me again, perhaps because I have never learned how to ask for help, or to realize that I need it, when I need it. I let myself go hungry for entire weeks before speaking to Ms. Laura again, and then it’s just to say that I finished my test. Very good, she says. Thank you.
Originally published in SmokeLong Quarterly.
by Joshua Jones Lofflin | Apr 11, 2024 | flash fiction
Here is what you’ll bring to grandmother’s house:
- two eggs
- flour
- cocoa powder
- a baggie of your mother’s herbs from her grow closet (for her glaucoma, your mother claims, and don’t even think of sneaking any)
- the bill from QVC with STOP GIVING THEM MY ADDRESS in your mother’s thick, block lettering
- the latest Victoria’s Secret catalog, like gross (what, your poor, old grandmother can’t order underwear?), but you’ve seen her granny panties and can’t imagine her in anything lacy or sheer, and who would want to see her in that anyway
- a QVC corkscrew, not that your grandmother drinks—you couldn’t even find cooking sherry last time you rifled through her pantry, though Lucas says he’ll buy you wine coolers whenever you want
- a can of QVC bear spray (she’ll order anything off there, I swear) because she’s apparently hearing wolves now, though there aren’t even coyotes in these woods
- a twin pack of Gillette razors, might be gross, might not (trust me, you don’t want her mustache getting wild), and you think of Lucas’s beard, how it’s just beginning to silver, how you hope he never shaves it
- the QVC rape whistle on a crimson lanyard the color of your riding cloak (she ordered it for you, says there’s been a lot of creeps in the woods lately, revving their trucks on those old logging trails at all hours)
- the Pure Romance catalog, like double-gross (what, your poor lonely grandmother can’t have fun?), like triple-gross when you see it’s addressed to your mother
- the latest Cabela’s catalog, its dogeared page showing a smiling, flannelled man in snug jeans, the one your mom swears looks like your grandmother’s neighbor—Lucas, she means, though of course, she doesn’t know you know his name, would have a hissy if she did—she says your grandmother has a crush on him, which is unimaginably gross
- a bottle of Call of the Wild, the QVC perfume your grandmother’s started wearing that smells of dead lilacs, and the plastic-bottled vodka Lucas likes, the kind he’ll make you try even though he knows it burns your throat, but he’ll say drink up so you do, until the liquor numbs your lips, and maybe that’s when you’ll tell him about your grandmother’s crush, and he’ll laugh and say, Oh really? like he’s trying to imagine her in lingerie, like he’s forming the mental image and not getting grossed out at all, and you’ll punch him lightly on the shoulder saying what the hell, and he’ll grab your wrist, hold it in his own large, calloused fist, and tell you never, ever touch him like that again
- the SensoCam security camera (at least it’s not from QVC for a change, your mother says, wedging it into your basket and saying don’t take any shortcuts), the one your grandmother needs help setting up, that Lucas will ask what she even wants it for, is she rich or something, and you’ll shrug and try to remember whether her silver is real or not, not that you’d ever say anything to Lucas, though you don’t have to—Lucas has a way of sniffing out the truth, the way he says he can smell it on you whenever he knows you’re lying, whenever you sit there in the dark of his truck, his fingernails tracing the scar on your neck across your collarbone, until his nail catches at your bra strap and tugs—and his large eyes will go all far away as he murmurs about what he’d do with all that money, how you could live like a king out here, in these woods, in the heart of the heart of the forest, and nobody would ever hear a thing
- ten Lotto scratch-offs, twice her usual, not that she ever wins more than a buck or two (oh let the old woman have her fun—besides, she told me she’s feeling lucky)
by Amy DeBellis | Apr 8, 2024 | flash fiction
I know something is wrong when the spot in the corner of my right eye won’t go away. I was hit until I saw stars, years ago and not by you, but this is different: this isn’t a star but a fuzzy gray cloud. Whenever I read, it floats along with me on each line, blotting out whatever words are coming next. Whenever I slip out of our apartment to get my daily iced coffee—the one treat I still indulge in—it comes with me. I’m glad to have the company, as the streets are mostly deserted these days: blue surgical masks littering the ground like rectangles of stomped-on sky, sirens wailing every few minutes, and each time I go outside it feels like I’m getting away with something. I have only ten minutes to grab my coffee and return in time to fix you breakfast, back into the apartment that smells like somebody’s stale breath. So far away from anything that could be mistaken for the sky.
When I finally go to the eye doctor, he frowns and says vitreous detachment, but to me it sounds like vicious detachment. Throughout the whole appointment I find myself thinking of words that start with V: Vandalize, vehement, volatile. (Trite. Predictable.) He tells me to look into a light so bright it makes me tear up, makes my mouth drop open (“Close your mouth” he says in a bored voice), makes my nails sink into my flesh. Victim, voluntary, vaginal. (Now we’re getting somewhere.) In that agonizing light I can see the spiderweb pattern of the veins in my eyeballs, a huge red ghost in the edge of my vision. The pain: something pure about it. So much sharper than your stupid slap.
The doctor takes the light away and asks me how the injury happened. There in the blank white office, both of us just a pair of eyes over our masks, I feel like I can tell him the truth: you got angry when I posted about our relationship problems on Reddit; you said you needed to punish me. The words squeak coming out of my throat. The doctor says “Oh, I see” in the exact same tone of voice in which he told me to close my mouth.
Months pass. My eye heals, and you never hit me again; I think you decided that words would leave more of an impression anyway. On this you may have been wrong. Because on Christmas Eve, I dream that you give me two eight-ball fractures: instead of dull green my eyes glaze dark, blackening into beauty, irises turned to night with blood. When I wake, I run to the bathroom to make sure my eyes are still green—green like mold and pond scum and kudzu, green like things that are living but probably shouldn’t be. The whole morning I keep blinking, keep checking the mirror, keep closing my eyes and expecting to open them bloodied and half-blind. After a while it seems that there is indeed something red and seeping at the edge of my vision. Some kind of optical ghost.
In the afternoon, we take the subway downtown. Surprise beach trip in December but I know better than to ask questions. Your voice sudden as a papercut against my ear: “It’s okay, we’ll still be able to see the tree.” Later I will realize that you meant we can still go to Rockefeller Center in the evening (although we never do), but in that moment, my mind dizzy with vulnerable and vanishing and virulence, I genuinely think you mean that there will be a tree at the beach.
But there is no tree. Just sand ringing cold and clear below the sky, the sound dreamloud, almost violent. A gull swoops down and I raise my face, hoping to tempt it with something—my eyes, maybe—but it sees no spark or glitter, flies on. If I angle my head just right the red in my vision swells and eclipses you. The last four years salt themselves white like winter, disappear. I watch the tide go out and my mouth fills with sand.
by Fractured Lit | Apr 7, 2024 | news
We want to celebrate the 39 stories on our Anthology Four shortlist! We loved reading these stories, and we can’t wait to see which ones Judge Morgan Talty chooses!
- tell me how it works
- Protocol for What to Do After Hearing Another Rape Story in Exam Room Five
- Rearrangement
- Whispers of the Vaal
- The Eulogy Competition
- Could Die for Just a Lie Down
- Act As If
- Newfoundland
- True Story
- The Last Laugh
- This Time of Death
- Diorama of Star-Crossed Lovers Driving at Night
- Those Who Seek
- Safe Passage
- RIDICULOUSLY BUSY AND RIDICULOUSLY HAPPY
- Kaddish for the Departed
- Like Oil and Water
- Hidden in the Stacks
- Whalesong
- Hug Me
- Thirteen
- Maddy and Peirce
- The Children
- WAX FROM WINGS
- When The Giant Breathed
- SELF-PRESERVATION
- Flesh Wounds
- The Life of the Mother
- Reunion
- Lemon Sherbet
- I’ll Be Around
- Golden Years
- Vintage
- Bramble
- Preamble
- An Intentional Man
- Regrets
- Unspoken
- We Went to the Museum
by Cassandra Parkin | Apr 5, 2024 | contest winner, flash fiction
“Sit sideways,” the photographer says, “or you won’t fit.” Obediently, they turn, bare flesh sliding smoothly against the porcelain, and dangle foolish coltish legs over the side of the bath.
“Look at me, not each other. Hats off your faces. Scoot closer. That’s right -” and then the flash and the laughter, and they’re caught forever; two young men, confident in their skins despite the prevailing legal climate, cigarettes dangling from James Dean smiles, and afterwards they unwind their limbs so they can kiss. The photographer withdraws, leaving them to revel in the freedom of their glossy hair, their nectarine flesh, their tobacco mouths, their fine Athenian bodies. The devices of youth.
All of this is a reconstruction. She has no idea what really happened. Here is an alternate version:
“Sit sideways,” the photographer says, “or you won’t fit.” So they turn, flesh sliding smoothly, legs over the side, and then “Look – hats – closer -” and flash and laughter, all the same, except without the kiss, without the aftermath, without the defiant nascent pride in who they were. Football players do it, after all, piling into the giant communal whirlpool with buttocks exposed and genitals dangling, and who could be more aggressively heterosexual than they?
Perhaps it was a one-off, a wartime experiment.
Perhaps the other man was the love of his life.
Or perhaps they were short of hot water.
She finds the photograph of her great-uncle’s time in the Navy while helping clear out his house. It’s in the act of disappearing into the back of his desk. If she’d been a little more impatient as she scrabbled papers out for shredding, it might have vanished for decades, perhaps forever. Was it hidden, or forgotten? Sometimes, she thinks one, sometimes the other.
Here is the evidence she’s assembled:
- He was never married, occasionally murmuring of a wartime sweetheart who threw him over for another man
- – But after the war, there were significantly more women than men. He should have easily been able to find another sweetheart
- (- On the other hand, perhaps he genuinely loved the first sweetheart)
- (- Or perhaps the sweetheart was a man; did he ever actually specify -? Anyway, onwards)
- – He lived alone, or at least he appeared to
- – In later life, when her existence overlapped his, he had a friend called Mr Wilson, whom he liked to play chess with and occasionally meet for dinner
- – Mr. Wilson was invited to her cousin Maisie’s wedding, and they sat alongside each other in the church
- (- Then again, Maisie’s parents are three steps from full-blown Westboro Baptist. The chances of them knowingly inviting someone’s same-sex partner are correspondingly limited)
- (- And besides, Mr Wilson was a family friend, receiving an invitation in his own right. He was definitely not a Plus One)
- – He kept his politics private. When family meals boiled over into fractious debate, he simply sat back and vanished into the wallpaper
- – In fact, thinking about it, this was his approach to all confrontation. She never heard him express a strong view about anything, from the way he liked his coffee to the apparent future direction of the country
- – He expressed neither support nor objection towards the LGBT Rights movement, merely shaking his head and observing that things were certainly changing
- – On the occasion of her own coming out, he took her hand and held it gently for a moment, then touched her face with his fingertips and said, blinking kindly, “Honey, whatever you want to do with your life is fine with me.” A response both unimpeachable and infuriating – as if she’d chosen this blaze of unsuspected need that had razed her life to the ground, forcing her to build anew.
This last point gnaws her bones the hardest. If her battle had been also his own, why didn’t he speak?
Instead, he was all dust and tedium, human furniture. He lived, and she lived, their orbits occasionally intersecting, and while she showed her whole bright self to him that afternoon on her parents’ lawn, he himself remained doll-like, somnolent, one-dimensional. He willingly met Jane, then Tamara, then Annie, welcoming them with the vague benignity he bestowed on everyone until his death. It was the war, his older sister Joan used to say, in that Great-Auntie-Joanish way she had of bundling up her relatives’ entire selves into a single magisterial anecdote. It changed him. He never really got over it.
Or perhaps it was the loss of that unnamed man-boy, the two of them sitting sideways in the bathtub, legs hanging over the side.
“Sit sideways,” the photographer said, “or you won’t fit.” Without the photograph, he would have faded for her entirely by now, resurrected only in rambling family reminiscences. Oh yes, and your great-uncle Edwin was there too, and Joan, my gosh, couldn’t she talk? Hey, did you hear Maisie’s getting divorced now? Was this the true explanation for his sidling, sideways life – treading softly, sliding and out of rooms, dissolving away when disagreement threatened?
For years, she was maddened, thinking of what they might have been to each other. Was there ever a moment when Honey, whatever you want might have become Well honey, d’you know…? Was he angry because she would have what he never could? Did that bland, gentle face conceal sour resentment? Or was there simply no secret to find?
These days, growing towards a confident middle age, the picture’s slippery resistance to explanation becomes a curious comfort. She carries it in her wallet, alongside one of Annie and the kids, tucked away behind her driver’s license. When faced with hard choices, she takes it out to look at, hearing again the voice of the photographer. Sit sideways, he commands (the voice remains he), and she’s reminded that sometimes the correct answer remains stubbornly unknowable, and in the end, all the consequences of the paths we take or do not take will fade into the long, unanswerable stillness.
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